01
Easy to use, for you and your client
Configure your review links with a few clicks. Your client clicks on the labelled buttons. They don't need an account. We made review frictionless and intuitive, like it should be.
Made by mix engineers, for mix engineers.
Review anything: immersive mixes, different versions, individual stems. All sample accurate. Your client hears the exact quality you rendered. No transcodes.
In the field
My clients used to juggle takes in a shared folder. With MixReview they can solo my drum takes or hear them in context within a click of a button.

Try it: this one is live
Tap between the four mixes. All of them run at once, from the same timecode, so the switch lands on the same note. You hear the mix decision, not a gap. This is the real player, not a picture of it.

Always free, and powerful features when you’re ready to upgrade.
Start a reviewWhat it does
“As audio engineers and composers, we could not find a service for what we needed. So we built it.”


01
Configure your review links with a few clicks. Your client clicks on the labelled buttons. They don't need an account. We made review frictionless and intuitive, like it should be.
02
We obsessed over this. It's like your DAW in the cloud. The only way to have true comparisons is with sample accuracy. No other service offers this level of playback fidelity.
03
Atmos mixes are often a required deliverable. We make it easy to A/B every mix version with a single click. Auto-match loudness for each one, so your client is not deluded by a louder stereo mix.
04
Your client hears what you mixed. Byte for byte. We don't touch a single sample.
05
new
Play the album as sequenced, track after track, sample accurate.
06
coming soon
A better world for you and your client: they can write straight onto the timeline, and you can jump from one note to the next and breeze through your revision process.
That's why engineers A/B everything. mixReview gives your client the same move: one tap between mix versions, masters, a stem breakdown or a remote player's takes. When they can hear the difference, their notes get sharper.
Use cases
The rooms it was built for.

Remote recording artists can send their takes for quick auditioning during playback.

Help your sideman learn complex parts. Send them the mix and their part alongside.

Let your artists or producers compare your mix to their premix with the click of a button.
Switch seamlessly between all channel configurations. Loudness can be matched so listeners focus on the balance.
Pricing
Storage and mix variants are the only things that change. Reviewers are always unlimited.
Questions
A review service for mix and mastering engineers. You upload the exact bounce you rendered, send one link, and your client listens to it byte for byte: stereo, Atmos and every version side by side, switched on the same sample.
No. They open the link, sign in with a personal code you hand them, and switch between versions with labelled mix buttons. No password, no install. Reviewers are unlimited and free.
Yes. We never transcode, resample or limit. What you upload is what streams, up to 32 bit / 96 kHz. Switches between mix buttons land on the same sample. Going to or from Apple Spatial JOC restarts that renderer, so expect a short gap there.
WAV up to 32 bit / 96 kHz, plus stereo MP4 (AAC) when you want a smaller file. Nothing is re-encoded: your client hears exactly what you delivered. For immersive you add your rendered Atmos binaural downmix as WAV and Apple Spatial as MP4 JOC. We do not render Atmos for you, and we do not take MP3.
One click measures the integrated loudness of every version and matches them, so a louder bounce does not read as a better one. Set it for a single mix button, a whole track or the entire album, and overwrite any value by hand.
They are collaboration and community platforms: more surface, maybe more to learn, for you and for your client. MixReview is a review and comparison tool. One link, labelled mix buttons, lossless playback, nothing to set up on their side. If you need a shared workspace, take theirs. If you need solo in place comparison, take ours.
Nobody. Every reviewer gets a personal code tied to one album, not a shared password, and you revoke it in one click. Files are AES-256 encrypted and streamed only. There is no public URL, and no download unless you switch one on for that album.
Per gigabyte on your account, never per person. Free includes 10 GB, roughly 144 stereo tracks of four minutes at 24 bit / 48 kHz. Studio raises that to 100 GB for €19 a month, with four mix buttons and immersive albums. You pay for room, never for seats.